Bussin’ (2020)
This piece marked another step in my exploration of hyperrealism. I came across the reference image while scrolling through Instagram and reached out to the photographer for permission to use it as the basis for this work. After some discussion, we agreed not to publicly credit him here, as linking his name to my site would redirect SEO traffic away from his own portfolio. The piece features an okra embedded in a nostril, revealing a side profile and protruding tongue. It was both playful and technical — I’ve always loved okra, so titling it Bussin’ (internet slang for “tastes good”) felt cheeky and fitting. The okra’s layered textures, color variations, and fine, hair-like details made it a rewarding subject to study. The tongue, too, was unexpectedly complex in how it reflects light and carries texture. I chose to leave parts of the portrait unfinished, creating contrast between the tightly rendered elements and the ghosted linework around them — a balance of presence and absence.
Reflections & Areas of Improvement
Leaving portions unfinished offered visual contrast, but fully rendering the piece might have strengthened the surreal effect.
Alternatively, there may have been more intentional ways to “fill in the blanks” — using color washes or abstract texturing — to preserve balance without relying on literal completion.
